Tagged: Retro City Rampage

Runbow

By now, I’m certain that the points I’m going to make in the following 2000 or so words are points that I’ve harped on in previous places. In fact, I distinctly remember (and when gathering material, caught myself in the act of) discussing these points in relation to Shantae, Retro City Rampage, and Eufloria. So they’re definitely recurring elements in the culture that indie game developers have cultivated for themselves since about 2009. Yet even at this juncture, I still find these points worth discussing. In addition to emulating and building on aesthetic/design sensibilities from the 1990s, many games in the indie space aim for refinement above all else, as if they can achieve some Platonic ideal of the perfect video game. But if the end results of their efforts consistently feel hollow and meaningless, I’m left wondering what good game design is supposed to be.

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Retro City Rampage

I’ve always been fascinated by how games writers and players talk about nostalgia. To be more specific, I’ve been fascinated with the unspoken assumptions and limits regarding how people discuss nostalgia. It’s a topic I could write at length about, but to choose just one facet, there’s what games try to accomplish through nostalgia. It’s almost never just a call back for its own sake. Nostalgia is a powerful and flexible tool developers can use to relate to the present through what the past has to offer. Read Only Memories and (especially) VA-11 Hall-A, for instance, are creative endeavors: they invoke nostalgia to explore alternatives to the world we currently live in.

Retro City Rampage, on the other hand, is far more insular in its use of nostalgia. It has absolutely zero interest in exploring alternatives or evaluating what value, if any, the objects of its nostalgia have in today’s world. If anything, the game shuts down inquiry like this by shrouding players in a veil of ignorance. It overwhelms them with action and spectacle, and then asks them to affirm whatever value it’s already read into its own past. Far from being creative, Retro City Rampage is a meaningless celebration of destruction for its own sake.

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