Before I get into the matter of discussing Griffin specifically, I want to acknowledge that the ideas I’m going to discuss here are ones I’ve already discussed to death. In fact, I had my writing on SD Gundam and Steel Empire on my mind (for reasons I hope will soon become clear) while I was taking notes on Griffin. If pressed for reasons why I return to these ideas so frequently, I’d say it’s because they’ve been so incredibly common in games for decades, especially games with military shooting and a heavy emphasis on shooting. But to apply this to Griffin more specifically, there isn’t much else to discuss about the game. A minor shooter released early in the Game Gear’s life, the game is bland, conventional, conservative, etc. It’s an empty signifier; something that makes more sense as a collection of techniques and popular trends than it does as an expression of somebody’s thoughts on the world.
Yet it’s for those very reasons the game is worth looking at in the first place. It may be easier to pick apart contemporary trends in the game industry when the game you’re analyzing is small enough that it follows those trends to the letter, rather than large enough to dictate what direction those trends go in. And by definition, conventional games will play right into the status quo (whatever that may be). This is especially the case with a game as empty as Griffin. Stuck halfway between admiring its own combat and calmly accepting its existence, it never occurs to the game to question its own premises or to think outside them, and the game languishes for it.